Cadavres Exquis Vivants (2007-ongoing)

Living Cadavres?

The otherwise proud and headstrong Katherine Hepburn gazes, close to tears and awaiting salvation, at her existence carved in stone. Bewitched into filling up in a coffee maker in a repetitive ritual, the lit fuse only seconds away from explosion. Franz von Assisi, who speaks to the animals, is a coarse guy here, who drivels while feeding a little golden bird, his fidgety lower regions meanwhile attempting to keep a globe rotating in a bonbonnière. The viewer is not really convinced by the butcher boy’s tenderness towards this delicate creature and is left with a sense of foreboding. Or Felix Mendelssohn, the exceptional composer who converted to Christianity, who is here portrayed as a provocative ruffian with the head of a sun-god and the feet of a crab. Back home at the dinner table he provokes a middle-class farce by affronting his mother with his exposed genitals. He does so, as is suggested by the voice-over, in order to finally begin his own life and to impress his sweetheart’s or sister.

The Park (2011)

The Park is a video panorama depicting a space between the domesticated and the wild, a transmission stage between urban and natural environments. It is an autonomous zone with its own rules; in parks, the limitations of daily habits can be breached.The piece is realized through intricate video compositing techniques combining concrete places and characters that are familiar to our daily life experience; architecture, people and symbols. The work plays with themes of urbanity/periphery, rationality/irrationality, tourism, sports and ecstasy.

Atlantic Garden (2010)

Atlantic Garden is a video panorama showing people from different ideological backgrounds grouped around a mansion. Fusing idyllic environments reminiscent of 19th century romanticism and the contemporary ecological movement, the view pans along a cultivated garden with the backdrop opening up to a seaport and, finally, to an ancient amphitheater. The embedded scenes involve amongst others a party-DJ, a childrens church choir, symbolic animals and a political activist.

Westcoast (2009)

Westcoast is a panorama-video consisting of interwoven scenes mounted on a coastline – somewhere between Rotterdam and Sydney. Starting from a bubbling primordial soup, the view incessantly pans along an waterfront in the style of a late transnational financial eclecticism and passes by mystical events, such as a giant hippo eating carrots and hectically spinning rubber boats. After a dark spiritual waterway recalling mideval atmospheres, the panorama ends in a cave encommpassing a refuse-Jacuzzi in which a white woman gazes about with melancholy.

Südwest (2006)

Südwest is a detailed and utopic construction of a landscape which unites aspects of tradition and globalization. The video combines idyllic scenes from the European tradition with the catalog-promises of the modern tourist industry to form a panorama which thus recreates the poetic mystique of things so common to our eyes.